Vintage 1960s Cabinet by M. Vender Beech Veneer Italy

Hungary, Late XIX Century

Silver cutlery set with initials engraved on the handles, composed of 16 serving cutlery, 12 spoons, 12 forks, 12 knives, 12 fruit forks, 12 fruit knives, 12 dessert spoons, 12 dessert forks, 12 dessert knives sweet, 12 teaspoons. 6035 grams net of the 24 knives. Marks of silver incussi. The service is kept in a mahogany cabinet with a wavy front and three drawers, the top of which, embellished with a brass insert, can be opened and conceals an additional cutlery compartment. The body can be separated from the truncated pyramidal legs. The front and top of the small chest of drawers are embellished with maple and dark wood threads, while only the first has a bois de rose border. On the sides of the front two small doors allow you to block the drawers. Locks marked Lever and internal label bearing the name of the manufacturer "James Weir Jeweler & Silversmith 66 Buchanan Street Glasgow".

France, Early XIX Century

Robert & Courvoisier temple table clock in gilded bronze, finely chiselled and engraved. Decorations with lion heads, winged dragons and plant motifs. The enamelled metal display with hours and minutes in Arabic numerals is held by a gilded bronze frame with the twelve zodiac signs. In the center of the dial signature of the well-known watchmakers. Movement with striker for the hours and quarters, on two bells.

19th Century / 1801 - 1900

Porcelain inkwell, with a shaped body entirely enamelled with chinoiserie-style motifs: there are large red flowers on a decorated blue background, on the sides two reserves in which there is a floral composition; the inkwell rests on three feet painted with monstrous faces, also reproduced in the two side handles. In the upper part there are the two ink containers equipped with gilded bronze lids worked with leaf motifs and pinecone-shaped grip; the large grip is also entirely in gilt bronze and worked with Regency-style motifs.

France, Early XX Century

Pair of two-light wall sconces in opalescent glass and gilded bronze. Bundle structure of lake reeds with floral corolla hosting one of the two lights. Main decorative element consisting of a stylized fish in opalescent glass, characterized by a sinuous movement and with the tail pointing upwards, the latter resting on a leafy base and placed in a projecting position. The ornamental display is completed by rivulets of water in opalescent glass placed under the animal. The glass parts have small chips and slight defects.

London, 1742-1743

George II period cup. A cup with a classic vase with two volute sockets with opposite curls, on the vase two decorative engraved orders; the same motifs are present in the lid which ends with a pine cone socket. There are three marks that allow us to recognize the London origin and the dating, "crowned leopard head", "passing lion" and a "g within a shield". weight 1810 g

Paris, Late XIX Century

Pair of partially gilded and burnished bronze candlesticks. Stepped base from which the turned and chiseled body starts with leaf motifs and anthemas, at the top of which is placed a golden sphere constituting the support point for the two burnished bronze sculptures, the first depicting a winged nymph with hair and dress ancient style and scepter in the left hand, in the second Hermes, characterized by the cloak, the winged petasus and the caduceus, also held by the left hand. Both mythological figures hold up a central stump filled with flowers and fruits, similar to a cornucopia, from which five arms of chiselled and gilded bronze branch off, adorned with elements from the plant world that recall the decorations of the base. Restorations on a bobeche and replacement of some screws.

Italy, Late XIX Century

Pair of large self-supporting eclectic shelves in carved and gilded wood, Italy third quarter 19th century. Shaped tops covered in velvet, uprights made up of a shaped back part against which, on the front, are carved pilaster-style architectural elements in Baroque style, the latter composed of "S"-shaped volutes with curls at the ends. The pilasters are also decorated with leaf elements and floral festoons held together by ribbons. Partially recovered gilding.