Baroque Chest of Drawers Walnut - Italy XVII-XVIII Century - Italy First Quarter XVIII Century
Features
Italy First Quarter XVIII Century
Style: Baroque (1630-1730)
Age: 18th Century / 1701 - 1800 , 17th Century / 1601 - 1700
Origin: Bergamo, Lombardia, Italy
Main essence: Silver Fir , Maple , Walnut
Material: Walnut Burl Veneer
Description
Bergamasque baroque chest of drawers in walnut extensively modified and restored in the interior. Italy, first quarter of the 18th century. Front with 3 drawers with tiles carved in walnut, threaded in maple and veneered in briar walnut. Spruce interior.
Product Condition:
Product that due to age and wear requires restoration and resumption of polishing.
Dimensions (cm):
Height: 95,5
Width: 125,5
Depth: 50
Additional Information
Style: Baroque (1630-1730)
Read more
The term derives from the Spanish barrueco phoneme or Portuguese barroco and literally means "shapeless pearl".
Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.
This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.
Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.
As regards furniture, freedom of ideation, need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.
The materials used were worthy of competing with the most astonishing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.
Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and so on. necessary to enliven shapes and structures.
The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar roots.
Find out more about the Baroque with our insights:
Classic Monday: a double-body sideboard, late Venetian Baroque
Classic Monday: a pair of candle holders between the Renaissance and Baroque
Classic Monday: a pair of mirrors between Baroque and Late Baroque
Age:
18th Century / 1701 - 1800
18th Century / 1701 - 180017th Century / 1601 - 1700
17th Century / 1601 - 1700Main essence:
Silver Fir
Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.Maple
Hard, light wood used for inlays. It grows mainly in Austria, but it is widespread throughout the northern hemisphere, from Japan to North America, passing through China and Europe. It is one of the lightest woods ever, tending to white, it is similar to lime or birch wood. The briar is used in the production of ancient secretaires .Walnut
Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.Material: Walnut Burl Veneer
Other customers have searched:
Cassettiera, cassettone, settimanale, mobile da camera, commode, canterano, comò..
Approfondimenti
Scopri di più su cassettiere e comò grazie ai nostri approfondimenti:
La storia nascosta in due antichi cassettoni
Conoscere il Neoclassicismo attraverso un cassettone piacentino
Un comò piemontese influenzato dal fascino per l'Oriente
Un signorile comò rococò napoletano
Una caratteristica cassettiera con alzata emiliana di perfetto gusto barocchetto
E per gli appassionati dal gusto più raffinato, c'è FineArt:
Commode a tre cassetti G.B.M., inizio XIX secolo
Canterano dipinto
Canterano emiliano, primo quarto XVIII
Cassettone a ribalta romano, secondo quarto XVIII secolo
Comò attribuito a Luigi Viglione, Luigi XVI, fine XVIII, Torino
Coppia di comò e comodino di Maggiolini
Sull'antiquariato in generale dai un'occhiata anche a
Classic Monday: da un pezzo dei nostri magazzini alla storia dell'antiquariato
L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
Il dizionario dell'antiquariato - Lastronatura
Il dizionario dell'antiquariato - Mascherone
Il dizionario dell'antiquariato - Natura morta
Il dizionario dell'antiquariato - Opificio
Il dizionario dell'antiquariato - Pastiglia
Il dizionario dell'antiquariato - Savonarola
Il dizionario dell'antiquariato - Rosone
Approfondimenti
Scopri di più su cassettiere e comò grazie ai nostri approfondimenti:La storia nascosta in due antichi cassettoni
Conoscere il Neoclassicismo attraverso un cassettone piacentino
Un comò piemontese influenzato dal fascino per l'Oriente
Un signorile comò rococò napoletano
Una caratteristica cassettiera con alzata emiliana di perfetto gusto barocchetto
E per gli appassionati dal gusto più raffinato, c'è FineArt:
Commode a tre cassetti G.B.M., inizio XIX secolo
Canterano dipinto
Canterano emiliano, primo quarto XVIII
Cassettone a ribalta romano, secondo quarto XVIII secolo
Comò attribuito a Luigi Viglione, Luigi XVI, fine XVIII, Torino
Coppia di comò e comodino di Maggiolini
Sull'antiquariato in generale dai un'occhiata anche a
Classic Monday: da un pezzo dei nostri magazzini alla storia dell'antiquariato
L'antiquariato dalla A alla Z: il Dizionario dell'Antiquariato
Il dizionario dell'antiquariato - Lastronatura
Il dizionario dell'antiquariato - Mascherone
Il dizionario dell'antiquariato - Natura morta
Il dizionario dell'antiquariato - Opificio
Il dizionario dell'antiquariato - Pastiglia
Il dizionario dell'antiquariato - Savonarola
Il dizionario dell'antiquariato - Rosone
Product availability
Immediate availability
Ready for delivery within 2 working days from ordering the product.