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Ancient Bolognese Baroque Cupboards '600 Engraved Tiles Walnut

Code: ANMOCR0107517

5,230.00
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SELECTED
Ancient Bolognese Baroque Cupboards '600 Engraved Tiles Walnut

Code: ANMOCR0107517

5,230.00
WITH FREE SHIPPING
5,000.00 € *
IF YOU PICK UP IN STORE
Discounted price if you collect the product in our shops in Milan and Cambiago:
* Optional choice in the cart
Add to cart
SAFE PAYMENTS
pagamenti sicuri
Request information
Book a date
Go to noleggio.dimanoinmano.it to rent the product
Rent

Ancient Bolognese Baroque Cupboards '600 Engraved Tiles Walnut

Features

Style:  Baroque (1630-1730)

Age:  17th Century / 1601 - 1700

Origin:  Bologna, Italy

Main essence:  Silver Fir Walnut Elm Pear Wood Poplar

Description

Bolognese baroque sideboard supported by shelf feet (redone in the front part), on the front it has two doors surmounted by five drawers placed in the undertop band and alternated with wavy shelves; decorated with carved tiles, while the undertop band is indented. In walnut, the sides are in elm, top in pear; interior in fir and poplar.

Product Condition:
Product that due to age and wear requires restoration and resumption of polishing.

Dimensions (cm):
Height: 118,5
Width: 136
Depth: 46,5

Restoration options

Complete restoration

, igienizzazione e inceratura

Additional Information

Style: Baroque (1630-1730)

The term derives from the Spanish barrueco or Portuguese barroco phoneme and literally means "shapeless pearl".

Already around the middle of the eighteenth century in France it was synonymous with uneven, irregular, bizarre, while in Italy the term was of Medieval memory and indicated a figure of the syllogism, an abstraction of thought.

This historical period was identified with the derogatory term baroque, recognizing in it extravagance and contrast with the criteria of harmony and expressive rigor to which it was intended to return under the influence of Greco-Roman art and the Italian Renaissance.

Baroque, seventeenth-century and seventeenth-century were synonymous with bad taste.

As far as furniture is concerned, freedom of ideation, the need for pomp and virtuosity gave rise to a synergy destined to produce unsurpassed masterpieces.

The materials displayed were worthy of competing with the most amazing tales of Marco Polo: lapis lazuli, malachite, amber, ivory, tortoiseshell, gold, silver, steel, precious wood essences and more dressed the furnishings that in shape and imagination virtually gave life to the Arabian Nights of many of our powerful people.

Typical of the period were load-bearing or accessory parts resolved with twisted column motifs, clearly inspired by Bernini's canopy of St. Peter's, parts with rich sculptural carving in high relief and even in the round within a vortex of volutes, scrolls and spirals, curved and broken profiles, cymatiums agitated by gables of articulated shape, aprons adorned with ornaments, corbels, buttresses and anything else needed to enliven forms and structures.

The Baroque is also the century of illusionism: lacquers and thin temperas crowd furniture and furnishings to imitate with the marbling effects of marble veining or games of veining of precious briar.

Find out more about the Baroque with our insights:

FineArt: Il Barocco

Classic Monday: a double-body sideboard, late Venetian Baroque

Classic Monday: a pair of candle holders between the Renaissance and Baroque

Classic Monday: a pair of mirrors between Baroque and Late Baroque

Classic Monday: a superb Austrian Baroque console table

YouTube - Pillole di storia del mobile ep1: il Baroque

Age: 17th Century / 1601 - 1700

17th Century / 1601 - 1700

Main essence:

Silver Fir

Soft coniferous wood, used for rustic furniture or to build the chest, that is the structure, of furniture then veneered in more precious woods. It has been used since ancient times, its most valuable use is, in the Spruce variant, in the inlays of French antique furniture of the '700 . The spruce, more typical of northern Europe, in Italy grows mainly in the Eastern Alps at altitudes above 1300 m. The noblest use of this essence was in the construction of violins, guitars and cellos: Stradivari himself produced his famous violins with this wood.

Walnut

Walnut wood comes from the plant whose botanical name is juglans regia , probably originally from the East but very common in Europe. Light or dark brown in color, it is a hard wood with a beautiful grain, widely used in antique furniture. It was the main essence in Italy throughout the Renaissance and later had a good diffusion in Europe, especially in England, until the advent of mahogany. It was used for solid wood furniture and sometimes carvings and inlays, its only big limitation is that it suffers a lot from woodworm. In France it was widely used more than anything else in the provinces. In the second half of the eighteenth century its use decreased significantly because mahogany and other exotic woods were preferred.

Elm

Very hard and compact wood, which comes from ulmus campestris . It is distinguished by its reddish brown color. It was mainly used for rustic furniture in France, Holland and Scandinavia. In England, however, it was also used a lot in inlay work.

Pear Wood

Hard wood, with a smooth pinkish grain. Used mainly for the construction of country furniture and secondarily for carvings. It was often dyed glossy black to mimic and replace ebony in veneers

Poplar

Essence considered "poor", it is a white wood, with yellowish or greyish shades, light and tender, which is easily damaged. It is used for rustic furniture or in the construction of furniture. The most valuable use it has had in the history of furniture is in Germany, in the 19th century, for veneers and inlays in the Biedermeier period.

Product availability

The product can be seen at Cambiago

Immediate availability
Ready for delivery within 2 working days from ordering the product.

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